Objectives
1. Students
draw/describe forms and space.
2. Students interpret the expression of feelings or ideas of an
architectural entrance.
Arizona Visual Arts Standards
RELATE: Concept 3: Elements & Principles
PO 201:
Identify visual/tactile
characteristics of artworks from diverse cultures, different places, or
times.
PO 301:
Analyze visual/tactile
characteristics of artworks from diverse cultures, different places, or
times.
RELATE: Concept 4: Meanings or Purposes
PO 201 & 301:
Interpret meanings and/or purposes of
an artwork using subject matter,
symbols, and/or themes.
Resources
Internet-connected computer
Digital projector and screen
“Under
Construction”
“Designing
the Tempe Center for the Arts”
“Forms and Spaces in
Tempe Buildings”
“Forms and Spaces in Tempe Buildings” worksheet
“Architecture
of Arrival"
“The Architecture of
Arrival” worksheet
Optional: “Building
on a River: Questor’s Tale”
Optional: “Questor’s
Questions”
Activities
Unit preview
Before beginning Lesson
One, introduce Architecture and the
Tempe Center for the Arts by discussing the theme in life:
We all move in and around buildings everyday. Ask students to think of a
time they entered a building that affected their attitude, mood or feeling,
not only because of the people and events around and within the building but
also because of the building itself. How does it look as one approaches?
What feelings or moods are expressed by the interior spaces? Ask
students to share descriptions of expressive qualities of buildings, such as
various homes, business places, museums, entertainment and sports
structures, houses of worship, school buildings, etc.
Introduce the theme in art: Architecture is the art of
designing buildings that are both useful and expressive. Explain that
students will be exploring the decisions made by architects as well as the
impact of architects’ decisions on visitors to a building.
Explain that they will use two key questions.
·
What forms and spaces do
architects use?
·
What feelings and ideas
does the building express?
They will use the questions to
explore architecture in general and the architecture of the
Tempe
Center for the Arts in
particular. They also will use the questions as they design their own
expressive architectural entrances.
Display and read “Under
Construction” and “Designing
the Tempe Center for the Arts.”
Inform students that the Tempe Center
for the Arts (TCA) was designed by Barton Myers, a California-based
architect and ARCHITEKTON, a Tempe
architectural firm. Explain that Barton Myers has designed other arts
centers and theaters, including the Citadel Theater in Edmonton, Alberta,
Canada; the Los Angeles Music Center, in California; the Portland Center for
the Performing Arts in Oregon; the Ballet Opera House in Toronto, Ontario,
Canada; the Cerritos Center for the Performing Arts in California; and the
New Jersey Performing Arts Center in Newark, N.J.
Definitions
Explain
that architects design buildings by manipulating relationships between forms
and spaces. Define each:
A
form is a three-dimensional object with height, width and
depth. Forms can be geometric like spheres and cubes. They can be simple or
complex. They can have curved or flat surfaces, which can be smooth or
textured. Forms can be solid or pierced with openings. Buildings are forms
with height, width and depth.
Space surrounds forms. It moves around the outside surfaces
of forms and through openings. Buildings both define and contain space with
their walls, roofs, eaves, ceilings, balconies, etc.
Guided practice
Display “Forms
and Spaces in Tempe Buildings.”
As you show the Harry E. Mitchell Municipal Complex and Tempe Library, ask
students to describe their forms and spaces.
As
you continue “Forms and
Spaces in Tempe Buildings,” ask students to pay particular attention to
the variety of ways the architects of several Tempe high schools designed their entrances.
Ask students to identify forms and spaces used in each school’s entrance.
Definitions and examples
Explain that
Barton Myers, lead architect of the TCA, identifies seven important
considerations he focuses on when he designs art centers.
-
The Architecture of
Site (where the Center is built)
-
The Architecture of
Arrival (approach and entrance to the Center)
-
The Architecture of
the Lobby (hall or waiting space near the entrance of the Center)
-
The Architecture of
the Room (theater and gallery within the Center)
-
Architecture of the
Back of the House (backstage and support space at the Center)
-
Art in Architecture
(integration of artworks with the Center)
-
Craftsmanship in
Architecture (use of materials in and construction of the Center)
Explain that students will be looking for evidence of all seven of Myers’
considerations when they visit the TCA, with special attention to the
Architecture of Arrival.
Read the following Barton Myers quotation:
"The Architecture
of Arrival should draw people into the artistry, excitement and drama of the
performance even before they arrive. Both the building and the approach to
the building should be interesting and welcoming by creating a landmark
destination and promising an extraordinary experience. The solidity of a
landmark building combined with the drama of a transparent lobby reflects
the building’s role as an institution and its openness as a place of
gathering. There should be a strong relationship between the inside and
outside... ."
Explain that every building has an inside and an outside and that
approaches, and entrances to buildings vary widely. Ask students to recall
and visualize entrances to buildings with which they are familiar (local
mall, theater complex, fast food restaurant, sports facility, etc.). Ask
students to think about how well the entrance prepares people to move from
their everyday experience to the experiences they will have inside the
building. Share examples.
Application
Distribute “The
Architecture of Arrival” worksheet and show
“Architecture
of Arrival in Tempe” photographs, which
feature historical and contemporary arts buildings in Tempe. Ask students to
choose one of the four arts buildings (Valley Arts Theater, Grady Gammage
Auditorium, ASU
Art Museum or
Tempe
Performing
Arts
Center) as their focus as
they complete their worksheets. The last item on the worksheet asks students
to describe forms and spaces of one building and to identify a feeling or
idea suggested by the entrance. You will need to cycle through the
photographs several times so students can choose, observe, write and review.
Assessment Guides
1.
Students draw/describe forms, planes, and space.
Assess Section A of “The
Architecture of Arrival” worksheet.
-
Exceeds
expectations -
The student thoroughly, accurately and in considerable detail, drew both
form/s and space/s of a building and included accurate, specific
descriptive words for all three drawings.
-
Meets
expectations -
The student accurately drew both form/s and space/s of a building and
included descriptive words for all three drawings.
-
Approaches
expectations -
The student drew either form/s or space/s of a building and included at
least one descriptive word.
-
Fails
to meet expectations
- The student made marks or wrote words suggested by a building.
2.
Students interpret the expression of feeling or ideas of an architectural
entrance.
Assess Section B of “The
Architecture of Arrival” worksheet.
-
Exceeds
expectations -
The student persuasively identified a feeling or idea
suggested by the entrance of a building supporting his/her
interpretations with architectural features of the building.
-
Meets
expectations -
The student identified a feeling or idea suggested by the entrance of a
building.
-
Approaches
expectations -
The student mentioned some feature of the building that
s/he liked or disliked.
-
Fails
to meet expectations
- The student commented about the building.
Extensions
Ask students to
write an interpretative description of the entrance of their school.
Study architecture from around the world with an emphasis on the
architecture of arrival. Buildings might include:
Temple
of Abu Simbel, Egypt
Great Hall of the People, Beijing, China
Pueblo Bonita, Chaco Canyon, N.M.
Sydney Opera House, Sydney, Australia
Chartres (or other Gothic) Cathedral
Mount Vernon or Monticello
San Xavier del Bac, Tucson
Walt Disney Concert Hall, Los Angeles
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