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Cordelia Chávez Candelaria
de Beveridge
is the author of Cursing Fujimori and Other Andean
Reflections, 2003 [poetry and fiction]; Arroyos to the Heart,
1993 [poetry]; Seeking the Perfect Game: Baseball in American
Literature, 1989; Chicano Poetry, A Critical Introduction,
1986; Ojo de la Cueva/Cave Springs, 1984 [poetry], and dozens
of published articles, reviews and poems. She also is editor or
co-editor of 11 books, most recently the
Encyclopedia of Latino Popular Culture (Greenwood Publishing,
2004); The Legacy of 1848 and 1898 (2000); Women Poets of
the Americas (1999). Dr. Candelaria is a Regents’ Professor of
English and Chicana and Chicano Studies at Arizona State University
and Director of Research for ASU’s National Center for Community
Development and Civil Rights.
Presented as part of
Arte es Amor, an annual celebration
of Latino arts and culture throughout Tempe and ASU. |
Roberta
Burnett recently
published poetry in The Bellevue Literary Review. She has
written commissioned poems for the Scottsdale Center for the
Arts and for the Arizona State University Art Museum. Burnett has
been a writer-of-all-trades since 1973. She owned an advertising and
public relations agency for 18 years and has worked as an
undergraduate English instructor, as a scholarly editor, and as a
freelance journalist, first for national arts and dance magazines
and, for the last five years, as a performing arts, fine arts and
fiction reviewer for The Arizona Republic. Her master’s degree in
English comes from Long Beach State College (Calif.) and her
master’s in Fine Arts degree is from Vermont College of Norwich
University in Montpelier. She has taught at California State
University, Irvine; California State University, Long Beach;
Fullerton (Calif.) Community College; Iowa State University; and the
University of Iowa.
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Sally
Ball is the
author of Annus Mirabilis, which was selected for the Barrow
Street Press Poetry Prize by Ellen Bryant Voigt. Her poems
have appeared in Boulevard, Ploughshares, Slate and the
Best American Poetry anthology, and her prose in Pleiades
and the Review of Contemporary Fiction. She has been a
resident at the Ucross Foundation in Wyoming. She is the senior
editor of Four Way Books and a visiting lecturer at Arizona State
University.
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Cynthia
Hogue
lives with her husband,
the French economist Sylvain Gallais, in Arizona, where she is the
Maxine and Jonathan Marshall Chair in Modern and Contemporary Poetry
and Interim Director of the Creative Writing Program in the
Department of English at Arizona State University. Among her honors
are a National Endowment for the Arts Fellowship, an NEH Summer
Seminar Fellowship, and the H.D. Fellowship at the Beinecke Library
at Yale University. Her collections of poetry include The
Incognito Body (2006), Flux (2002), The Never Wife
(1999), and The Woman in Red (1990). Her critical work includes the
co-edited We Who Love To Be Astonished: Experimental Feminist
Poetics and Performance Art, the forthcoming first edition of
H.D.’s The Sword Went Out to Sea, and the forthcoming
Innovative Women Poets (Works and Interviews). |
